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Vahid Jahandari‘s The Vulture was arguably the most impressive work on the programme. Jahandari’s soundscape transformed sounds from a double bass into an immersive, deeply threatening soundscape. There was something distinctly plaintive lurking within, though, heard in higher register material and fragments of melody, ghostly remnants and traces that seemed doomed in such a glowering environment, and which ultimately disappeared into their own reverb. 5:4 |